Thursday, June 11, 2015

Jurassic World

The self awareness in Jurassic World has characters questioning the park's existence and corporate direction thus mirroring some of the doubts of the audience in regards to this franchise.

I liked the early pacing of the movie with its gradual build up, as it then kicks into gear and it stays that way for a while. And though I liked hearing John Williams' Jurassic Park theme music through the course of the film, I wasn't too pleased when they introduced it early on without it being part of a momentous occasion; even though I know I can't expect them to replicate the revealing awe moment like in the first film.

The characters aren't really all memorable and some of their actions and motives seems dubious, but they didn't make me cringe and Chris Pratt is a delight to watch even though he toned down his usual charm for most parts.

The movie was overall fun, delivered plenty of good dino action with some genuine scary moments along with few surprises. I definitely wouldn't mind seeing another sequel exploring the fallout from this movie.

Friday, May 22, 2015

NeoLev Back to the Future Part II Levitating Miniature Hoverboard Collection

Back to the Future Part II miniature Hoverboard set from NeoLev is one of the cool BTTF collectibles to come out this year. And hopefully there will be many more.

This is the Limited Signature Edition with laser-engraved signatures of Bob Gale, Robert Zemeckis and hoverboard designer John Bell. I managed to get the set numbered #121 of 488. You can order a set here from

It makes for a great display piece especially on your desk, thus allowing you to constantly nudge the boards to see them oscillate in action. These hoverboards are approximately 1:15 scale. The boards are made out of foam with pyrolytic graphite backing which allows them to levitate over the magnetic base.

Technical specifications listed below, followed by video and pictures.

    Five Pyrolytic Graphite Hoverboards to scale from movie
    Accurate decals placed on foam of the following Hoverboards:
    Marty McFly (pink board)
    Pit Bull (black board)
    Rising Sun (white board)
    No Tech (green board)
    Question Mark (black board)
    Optimal rectangular geometry for maximum levitation
    Near friction-less movement (oscillates for very long time)
    Dimensions Varies: 1.7-2.2 long x 0.60.7 wide x 0.1 thick
    Weight: 1 gram each

    Two rows of track for simultaneous boards to hover back and forth
    Sleek, durable black acrylic support plates
    Full colored Back to the Future logo decal
    Custom-made high grade NdFeB magnets are slightly angled to simulate 6 long half pipe track
    Magnet assemblies and acrylic materials product safety tested per ASTM 963 for Ages 8+
    Laser Engraved Universal/NeoLev logo
    Dimensions - 6.8 long x 2.1 wide x 1.3 tall
    Weight - 12 oz.

Saturday, April 11, 2015

Marvel's Daredevil Series on Netflix

After watching 13 hours of good entertainment like Daredevil, I now want to see more of the other Marvel comic characters get similar series treatment, allowing for richer story arcs and more fleshed out characters. It would definitely work for Spider-Man and his vast number of supporting characters, who will end up with only brief appearances in the movies.

Daredevil series is bloody and violent, perhaps little more than I expected and I am glad they went with that approach. And in the midst of all the grittiness, the show still manages to instill some humor from time to time. Besides the reference to Iron Man and Thor I was glad to see my favourite Avenger being given a shout out as well. The opening credits is cool and elegant, also liked the soundtrack including the different tracks played during the ending credits of each episode.

Jack Murdock had a short early appearance, but still managed to make a strong impact, almost making me want to see more scenes of him and Young Matt. Considering how much of pivotal role the character Karen plays later in the comics, it was good to see her being prominent through this series. But I kept wanting to see more scenes of Claire, also I liked her chemistry with Matt. Foggy is a delight to watch, especially when he is bouncing words with Matt. Since they are only a start up law firm, we got only one instance of Matt being a lawyer in the courtroom, I want to see some more of that.

The series has so many great action moments but the hallway fight in the end of episode 2 was fantastic and is one of my favourites. The way they shot and edited that scene made it seems quite seamless. By the time episode 6 rolls out, the levels of escalation in the story almost feels like a season finale. There is plenty of action after that, but the series comparatively slows down allowing for more drama and character conflicts. The action and pacing does pick up eventually.

Fisk is a villain who like many villains doesn't believe that he is actually a villain. He continues to justify his actions for building a better tomorrow. Maybe he will really embrace his true nature when he takes on the mantle of Kingpin.

As for the costume, the black version really worked well and was able to even highlight Matt's strong muscles and upper body without any additional padding, or at least it appeared that way. As for the red costume I wish they went with a darker shade of maroon instead of the black parts. But I think we will definitely see a better costume upgrade in season 2.

Monday, January 05, 2015

My 31 Most Anticipated Movies of 2015

Star Wars: The Force Awakens is my most anticipated film of 2015, followed by Avengers: Age of Ultron, Jurassic World, Tomorrowland, Chappie and The Martian.

My 31 most anticipated movies of 2015 are listed below in release date order. You can find a bigger list of movies releasing in 2015 on the RPF here.

And though I didn't plan it that way, nearly half the movies in my list are not based on existing franchises.

Also out of the franchise movies, eight of them are from Disney.

Click on the release dates to view the trailers/info clips.

BTTF related: Robert Zemeckis's The Walk gets released on October 2, 2015 in IMAX and 3D. On October 16 (Friday, 5 days before Marty's arrival) theatres will start playing Steven Spielberg's St. James Place (working title), which is a cold war spy thriller based on the 1960 U-2 incident.

1. Jupiter Ascending

February 6

2. Kingsman: The Secret Service 

February 13

3. Chappie

 March 6

4. Kumiko, the Treasure Hunter

 March 13

5. Ex Machina

April 10

6. Avengers: Age of Ultron

 May 1

 7. Mad Max: Fury Road

 May 15


8. Tomorrowland 

 May 22

9. Jurassic World

 June 12

10. Inside Out

 June 19

11. Terminator Genisys

July 1

12. Ant-Man

July 17
13. Pan

 July 24

14. Fantastic Four

August 7

15. Everest

September 18

16. The Walk

 October 2

17. The Jungle Book

October 9

18. Crimson Peak 

 October 16

19. Bridge of Spies

 October 16

20. Jaws 19

 October 21

21. Spectre

 November 6

22. Peanuts

 November 6

23. The Hateful Eight  

 November 13

24. The Hunger Games: Mockingjay - Part 2

 November 20

25. The Good Dinosaur

 November 25

26. The Martian

 November 25

27. Krampus 

 December 4

28. Star Wars: The Force Awakens

 December 18

29. Mission: Impossible - Rogue Nation

 December 25

30. The Revenant

December 25

31. Silence

December 25

Wednesday, December 31, 2014

My Top Favourite Movies of 2014

I saw 44 movies of 2014 and 16 of them were in the theater. I have yet to see Whiplash, Birdman, Inherent Vice, Selma, American Sniper and few others which I missed.

There were some great big budget movies this year, along with many great independent movies too.

My top favourite movies of this year are as follows.

1. Guardians of the Galaxy
2. Snowpiercer
3. Captain America: The Winter Soldier
4. Edge of Tomorrow
5. The Raid 2
6. Boyhood
7. The Lego Movie
8. Interstellar
9. Blue Ruin
10. Locke

Honorable Mention (release date order): The Grand Budapest Hotel, Enemy, Cheap Thrills, Ida, We Are the Best!, Dawn of the Planet of the Apes, Coherence, The Guest, Gone Girl, Nightcrawler, Big Hero 6.

Two cool mashup videos showcasing scenes from movies of 2014. The second one is little longer but is great and well done.



Saturday, December 06, 2014

Sony Acquires Jon Spaihts' Sci-Fi Script ‘Passengers’

Passengers is one of my most anticipated movies of <whichever year it gets released>.

Past couple of weeks while reading on the possible Prometheus sequel writers, I decided to go back and read on how the writing for Prometheus was assigned to Jon Spaihts.

I knew he was handed the writing duties to Prometheus based on his pitch for the Alien prequel idea which Ridley Scott was looking for, but its his prior space sci-fi scripts is what made him more credible as a writer in the industry even though they haven't been made into movies yet.

I briefly knew about his prior work but started reading more about them.

Shadow 19: This script seems to have a Starship Troopers and Edge of Tomorrow vibe. You can read the script review for Shadow 19 here. This review was written in 2009 and the script was circling in Hollywood few years prior to that. Keanu Reeves was attached to star with Warner Bros producing it. The studio eventually didn't go through with it. 5 years later WB made Edge of Tomorrow. It's hard to assess if this script was inspired by the novel All You Need Is Kill (2004), but Shadow 19 takes place on other planets and doesn't involve a time loop, but on the surface the basic premise is kinda similar. It's still a pretty awesome story which sadly won't get made into a movie anytime soon.

Passengers: After Shadow 19 deal fell through, Keanu got Spaihts to write the screenplay for Passengers.

Prometheus Screenwriter Jon Spaihts | Filmmaker Magazine

This is a great interview with Jon Spaihts by Filmmaker magazine, conducted in 2012 during the week Prometheus got released. Click on the above link. It's always interesting to know about the different jobs writers are involved with before getting into screenplay writing. Spaihts talks about some of his favourite movies and authors while growing up. His writing process, his experience dealing with people in Hollywood and the nature of studio meetings. He talks about his other films in development and on how he got to be the writer for Prometheus and his experience during the development process.

Here are some excerpts:

Filmmaker: So what happened after Shadow 19? Was Passengers the next script after that?

Spaihts: It was. Keanu Reeves was attached to Shadow 19 when I was developing it at Warner Brothers, and he and I came to a version of the script we both loved and wanted to get made. And we couldn’t convince the studio to make it. The studio moved on and hired other writers and the project took off in a direction we didn’t like. So we both went on about our business and a month or two later I get a call from Keanu’s people saying, “Hey, he wants to find something else to work on with you, let’s pick a project.” So we met, and I threw a few of my ideas at him. One of them was a hardboiled noir cop story set in the present day that took a big sci-fi hook at the end. He was intrigued by it, and we talked about it for maybe six weeks. It was a very bleak dark story and in the end he said, “This is too dark for me.” But it featured prominently the image of a man stranded alone in space. He couldn’t let go of that image, and his business partner called me and said said, “Look your story is not for us, but we love this image. Is there a happier story that can be told?” It was a powerful question. I had never asked it of myself but it was one of those moments where a story seemed to leap from my head fully formed and one idea seemed to lead to the next with a beautiful necessity. In about half an hour I riffed the spine of the story that became Passengers. They hired me to write it, I wrote it, and we are still working hard on getting it mad. Things are not looking bad these days though I can’t say very much about how it is going.

Sony Wins Auction For Jon Spaihts Sci-Fi Script ‘Passengers’

Sony has now acquired the rights to Passengers. You can read the news in the above page. The following is a brief synopsis. Considering Keanu was originally the reason the script came into being, I hope he is still going to star in it.

"Passengers takes place on a spacecraft transporting thousands of people to a distant colony planet and has a malfunction in one of its sleep chambers. As a result, a single passenger is awakened 90 years before anyone else. Faced with the prospect of growing old and dying alone, he eventually decides to wake up a second passenger, marking the beginning of what becomes a unique love story."

I know some are now going to groan on the prospect of a love story like some 8 year old. But remember lot of good fiction including science fiction are always embroiled in human stories in the midst of sci-fi settings. From the reviews I have read, the screenplay for Passengers has gotten high praise all around. And it was also included in the 2007 Black List (most liked screenplays which have not yet been produced).

The following was in regards to Prometheus and in regards to Hollywood's fear of new ideas.

Filmmaker: It sounds like you’ve made a complex movie, an ambitious adult science-fiction film dealing with intelligent, philosophical themes, and this is not really what’s being made these days. And it seems to me that you’ve been able to do this because you’ve come in under the mantle of this Alien prequel. But to some extent it seems like this could have been an original. If the original Alien didn’t exist this movie could have been invented. Am I correct in saying this was a little bit of Trojan horse? Or, to ask the question more directly, could a similar movie exist today if it was pitched as an original?

Spaihts: It would be a much harder movie to sell. Hollywood is constantly searching, it will tell you, for new ideas. But if you bring it a brand new idea, it scares the hell out of everybody. There’s a real trend in the industry right now to seek the reassurance of an existing property, known characters, known titles, known quantities. It’s hard to get the studios to invest in a brand new idea because that leaves everyone out there hanging in the wind. It means people have vouched for it standing on their own judgment. They can’t say, “Look it’s from this A-list writer, this series of A-list novels, that popular TV series, this incredibly popular cartoon.” They have to say, “I think this is good” — that’s all they have to hide behind. In the volatile industry of Hollywood that puts everyone at risk. It’s hard to punch through that apprehension, that nervousness about making big leaps into the unknown. In Hollywood’s favor, it still happens all the time. Originals are still being made and are still beginning blockbusters. But it’s always a fight, always an uphill battle. It takes a powerful patron to push those projects through.

Filmmaker: Do you think that’s going to change or is that the world we now live in?

Spaihts: I hope that we will relax a little bit in our mania for existing intellectual property. A lot of the great franchises of our day were born for the first time in a film. Luke Skywalker and Indiana Jones didn’t come from television or books; they were written to be movies. Likewise, the great characters of Hitchcock, and so many other filmmakers. So yes, I hope that we will have more faith in the ability of this medium to create.

With that I can't stress enough the need to support more original films. I love franchises and sequels like most movie fans, but when moviegoers skip non-franchises films due to some inane excuses it just proves the fear of Hollywood suits.

Sequels: "Oh another sequel, I will watch it"

Reboots: "Another reboot, why Hollywood why?", "Guess I will still watch it anyways"

Non-franchise genre film: "Well it looks like <abc> or sounds like <xyz> or reminds me of <xyz>, guess I will skip this". And then few weeks later, "Oh Hollywood has run out of original ideas".

Movies like Duncan Jones' Mute and Shadow 19 got shelved among many others likely cause they were risky. I am glad Passengers is moving forward. But with Edge of Tomorrow under performing, it will continue to be tough to get original and non-franchise big budget movies green lighted unless perhaps one is Christopher Nolan.

With Gravity in 2013, Interstellar in 2014, The Martian in 2015 I hope the trend of big sci-fi movies set in space continues.

And even though all of them may not necessarily promote the spirit of exploration, it's imporant that space movies continue to get made as it will help to convey the future possibilities of space into public consciousness.

Friday, November 28, 2014

Big Hero 6

I laughed, I cried and I was wowed by Big Hero 6. Such a fun movie and I liked the cool & colorful designs.

Big Hero 6 is one of the best pro-science movies of 2014. And gazing through San Fransokyo is a delight.

Also digged the music by Henry Jackman and the song Immortals.

I now want figures of all the characters and I have to buy the art book.

Friday, November 07, 2014


Interstellar exceeded my expectations on many levels despite my minor issues with certain plot points. The movie is obviously awe-inspiring with its visuals and I was very happy with the direction of the story and the surprises it offered, along with some emotional moments that had me choked up (no surprise there either). I might watch it again in the theatre next week.

I don't know if Interstellar will become the movie I want it to be, which will inspire the masses about space exploration; maybe no movie can do that for the majority of the population.

But if Interstellar even manages to breathe new life into the conversation about space exploration, if it makes some people ponder about space like they never imagined before, if it makes a new generation of people including the youth look up in the sky and wonder what if...?

Then I am thankful to Christopher Nolan for making Interstellar, as it would have served its purpose beyond just great entertainment.

Saturday, November 01, 2014

Virgin Galactic SpaceShipTwo Flight Crash

On October 31, 2014 VSS Enterprise Virgin Galactic's SpaceShipTwo spaceflight test vehicle crashed at the Mojave Desert, California in United States. Read the full story here.

It's tragic that one pilot died while the other is seriously injured. And it's quite bad timing for that Interstellar spacetravel sweepstakes.

These are the perils of the space industry. There will be setbacks, lives will be lost, lessons will be learned, improvement will happen. It's all part of the challenge for growth and advancement in the pursuit of exploration and science.

We currently embrace and enjoy many aspects of technology including commercial air flight, but that wouldn't have been possible without the countless people (both known and unknown) who gave their time, skills and lives during the early crucial stages of those projects.

Space tourism is currently in its infancy, but thanks to the dedication and efforts of these pilots and many others like them we get to move upward and beyond, paving space travel for future generations.

May peace be with them and their families.

Tuesday, October 28, 2014

District 9 New Blu-ray Steelbook and Expanded Soundtrack Vinyl Release

Sony is releasing 16 of their movies with new limited edition Blu-ray covers on steelbook.

This new District 9 artwork is by Dave Quiggle. It's available for pre-order on Best Buy and Future Shop. The steelbook will be released on November 23, 2014.

You can see the other Sony steelbook covers here.

District 9 soundtrack will be released on vinyl for the first time by SpaceLab9. The pre-sale was supposed to be today on October 28 but has been pushed to November 11. The release date is November 25, 2014.

This District 9 soundtrack will be the Deluxe Expanded Version on a Double LP.  I mostly want to buy these recent vinyl releases (including that Mondo GOTG vinyl) purely for their cover artwork. But I guess having bonus tracks makes this a more worthwhile purchase. I will likely have to buy a record player someday.

Here are more details about the release posted last week by SpaceLab9:

Upon its release in 2009, DISTRICT 9 transcended the confines of the science fiction/thriller film genre to become a certified mainstream phenomenon. From its sublime, droning rhythms to its frenetic tribal beats, the score by composer Clinton Shorter (2 Guns, Pompeii) provided the perfect backdrop to compliment to the on-screen drama, now cemented in time as a fan favorite and cult classic.

Released for the first time on vinyl, the deluxe expanded edition includes the eleven tracks from the original 30-minute album, plus, for the first time in any format, an additional eight bonus tracks comprising 25 minutes of previously unreleased original score. Deluxe Double LP package includes a full color gatefold jacket plus a double-sided 12” x 24” insert featuring numerous images from the film as well as exclusive liner notes from director Neill Blomkamp and composer Clinton Shorter. As a bonus, the first pressing also includes a reproduction of the original theatrical lobby card!

Additionally, for the early birds and the die-hard collectors, an edition of only 100 colored vinyl copies packaged in hand-screened jackets featuring unique artwork and an exclusive 18” x 24” insert will be made available during the pre-sale at SPACELAB9.COM on October 28th. Join the SL9 mailing list now for up-to-the-minute details and to be the first to find out when the sale begins!

Source: Modern Vinyl